..............English 110 --- Spring 2000 Calendar

Weeks 1 - 19 (January 20th - May 25th)

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Explanation of homework layout: All activities listed next to the date (not in bold) is what we will do in class on that day.
All assignments which follow the abbreviated letters signifying homework (HM) will be due the following class.

WEEK 1

WEEK 7

WEEK 13

WEEK 2

WEEK 8
WEEK 14
WEEK 3

WEEK 9

WEEK 15
WEEK 4
WEEK 10
WEEK 16
WEEK 5

WEEK 11

WEEK 17
WEEK 6
WEEK 12
WEEK 18

Paper 1
Paper 3--Midterm Exam
Paper 5
Paper 2
Paper 4--Collaborative Research
Paper 6--Final Exam


WEEK 1: Introductions

January 20th - Thurs: Introduction to class: syllabus, policies, textbooks
Writing sample: What do you think Henry David Thoreau meant when he said,
"A writer who does not speak out of a full experience uses torpid words, wooden or lifeless words,
such as "humanitary," which have a paralysis in their tails."
Student Interviews

HM: Get: The Compact Bedford Reader, Texts and Contexts & Frankenstein.
In Bedford, read "Reading Fiction" pp. 9-10, "The Story of an Hour" pp. 10-17


WEEK 2: Short Stories

January 25th - Tues: Introduction to the "Writing Process"
Discussion of Chopin's "The Story of an Hour"

HM: In Bedford, read, "A Sorrowful Woman" pp. 33-37, "Writing About Fiction" pp. 40-45,
"Plot" pp. 60-61, "A Rose for Emily" pp. 71-77 and "Killings" pp. 79-92.
Prepare for a
quiz on the reading for Thursday.

January 27th - Thurs: Meet in Computer Lab: bottom floor of blg 2 (bring $5 usage card)
Quiz on reading followed by a discussion.

HM: In Bedford, read "Character" pp. 94-95, "Setting" pp. 137-139, "Soldier's Home" pp. 139-144,
and "How to Tell a True War Story" pp. 459-468.
Also, bring a rough outline of Paper 1 with a thesis statement at the top to class on Tuesday.

** Getting Prepared: Paper #1 (2-4 pages) is due Thursday, February 3rd


WEEK 3: Workshopping

February 1st - Tues: Possible quiz on reading. Preparing for Paper 1 and reviewing outlines.

HM: Complete Paper #1 (2-4 pages), due next class:
(1) Bring 4 copies of your completed, typed, double-spaced paper to class on Thursday.
(2) Remember: titles of short works such as essays and poems go in quotes and longer
works such as books and plays are either underlined or italicized.
(3) Students without papers will be asked to leave.
(4) Each workshop day counts as 2 absences
(5) If you do not turn a paper in on this due date, you cannot turn in the revised version,
due a week later, for a grade.
(6) You cannot pass the class if you miss one of the required papers for the course.

February 3rd - Thurs: Meet in Computer Lab: bottom floor of blg 2 (bring $5 usage card)
Paper #1 due (2-4 pages)
In Class: Workshopping

HM: In Texts and Contexts, read "Introduction" pp.xvi-xx and read "Critical Worlds pp. 1-19.
Prepare for a
quiz on the reading on Tuesday-be able to briefly define each style of criticism.


WEEK 4: Short Stories and Literary Criticism

February 8th - Tues: Quiz on the reading followed by a discussion.

HM: In Bedford, read "Point of View" pp. 154-159, "The Lesson" pp. 159-164,
"Symbolism" pp. 193-195, and "Battle Royal" pp. 199-209.

Revised Paper #1 due 2/10. Please include the following:
(1) A title page using MLA format: Be creative with your title-draw in your reader
(2) Peer evaluations stapled to back
(3) Must be typed, double-spaced, have 1" margins, have 12 sized font, and be 2-4 pages in length.
Please note: 10 pts are removed for each page the paper is under the required minimum length and
5 pts for half a page under. Don't go solely by word count but by actual length.

February 10th - Thurs: Meet in Computer Lab: bottom floor of blg 2 (bring $5 usage card)
Revised Paper #1 due (2-4 pages)
Possible quiz on the reading followed by a discussion.

HM: In Bedford, read "Theme" pp. 211-214, "Miss Brill" pp. 226-230, "Love in LA" pp. 230-233,
"Style, Tone, and Irony" pp. 234-238, and "Popular Mechanics" pp. 238-240.

** Reminder: the last day to drop a course without it appearing on your record is 2/11


WEEK 5: Short Stories and Literary Criticism

February 15th - Tues: Possible quiz on the reading followed by a discussion

HM: In Texts and Contexts, read Chapter 2 pp. 21-41 and Chapter 3 pp. 43-75.

February 17th - Thurs: Meet in Computer Lab: bottom floor of blg 2
Possible quiz on the reading followed by a discussion.

HM: In Bedford, read "Carnal Knowledge" pp. 242-255 and "Lust" pp. 256-263.


** Getting Prepared: Paper #2 (3-5 pages) is due Tuesday, February 29th


WEEK 6: Short Stories and Literary Criticism

February 22nd - Tues: Possible quiz on the reading followed by a discussion.

HM: In Texts and Contexts, rd Chapter 4, pp. 77-105.

February 24th - Thurs: Meet in Computer Lab: bottom floor of blg 2
Possible quiz on the reading followed by a discussion. Preparing for Paper 2.

HM: Complete Paper #2 (3-5 pages), due next class:
(1) Bring 4 copies of your completed, typed, double-spaced paper to class on Tuesday.
(2) Students without papers will be asked to leave and each workshop day is 2 absences.
(3) If you don't turn a paper in on this due date, you can't turn in the revised version,
due a week later, for a grade. You can't pass the course if you miss turning in a paper.


Topics for Paper 1 - due Feb 3rd - 2-4 pages
Select ONE of the following:

(1) Compare to what extent concepts of honor and tradition influence the action in two of the
following stories: William Faulkner's "A Rose for Emily" (p. 71), Andre Dubus's "Killings" (p. 79)
and/or and Tim O'Brien's "How To Tell a True War Story" (p. 459).

(2) Contrast William Faulkner's ordering of events in "A Rose for Emily" (p. 71) with Tim O'Brien's
"How to Tell a True War Story" (p. 459). How does each author's arrangement of incidents create
different effects on the reader?

(3) Contrast the attitudes toward patriotism implicit in Hemingway's "Soldier's Home" (p. 139)
and Tim O'Brien's "How to Tell a True War Story" (p. 459).

(4) Compare and analyze the attitude toward marriage and women's roles revealed in Kate Chopin's
"The Story of an Hour" (p. 10) and Gail Godwin's "A Sorrowful Woman" (p. 33).


Topics for Paper 2 - due February 29th - 3-5 pages

Select one of the short stories from the following list and examine it according to one of the three
literary theories we have studied so far: New Criticism, Reader-Response Criticism, or Deconstruction.

"The Lesson" pp. 159-164
"Popular Mechanics" pp. 238-240
"Battle Royal" pp. 199-209
"Carnal Knowledge" pp. 242-255
"Miss Brill" pp. 226-230
"Lust" pp. 256-263
"Love in LA" pp. 230-233


WEEK 7: Workshopping

February 29th - Tues: Paper #2 Due (3-5 pages)
In Class: Workshopping

HM: In Bedford, read "Reading Poetry" and the included poems pp. 531-553.

March 2nd - Thurs:
Meet in Computer Lab: bottom floor of blg 2
Possible quiz on the reading followed by a discussion

HM: In Bedford, read "Writing About Poetry" pp. 563-569 and "Word Choice, Word Order, and
Tone" and the included poems pp. 570-599.

Revised Paper #2 due 3/7. Please include the following:
(1) A title page using MLA format: Be creative with your title-draw in your reader
(2) Peer evaluations stapled to back
(3) Must be typed, double-spaced, have 1" margins, have 12 sized font, and be 3-5 pages in length.
Please note: 10 pts are removed for each page the paper is under the required minimum length and
5 pts for half a page under. Don't go solely by word count but by actual length.


WEEK 8: Poetry Unit

March 7th - Tues: Revised Paper #2 Due (3-5 pages)
Possible quiz on the reading followed by a discussion

HM: In Bedford, read "Images" and the included poems pp. 600-616.

March 9th - Thurs:
Meet in Computer Lab: bottom floor of blg 2
Possible quiz on the reading followed by a discussion

** Open book-closed note, in-class midterm exam on Thursday of next week--3/16.
If you want to take it on computer, bring a disk.


WEEK 9: Midterm Exam

March 14th - Tues: Workshop: Timed Writing

HM: In Bedford, review the poetry reading from the following sections:
Chapter 16: "Word Choice, Word Order, and Tone" pp. 570-599
Chapter 17: "Images" pp. 600-616

March 16th - Thurs:
In-Class Midterm - on Poetry Unit - 75 minutes
Meet in Computer Lab: bottom floor of blg 2

HM: Begin Frankenstein, read the "Introduction," the "Author's Introduction," and the
"Preface" pp. vii-xxviii and read "Letters 1-4" pp. 1-16.


WEEK 10: Mary Shelley's Frankenstein

March 21st - Tues: Possible quiz on the reading followed by a discussion.

HM: In Frankenstein, read Chapters 1-6, pp. 17-55.

March 23rd - Thurs:
Meet in Computer Lab: bottom floor of blg 2

HM: In Texts and Contexts, read Chapter 5, pp. 107-149.
Also, think about who you want to work with in writing Research Paper #4 on Frankenstein.
You can either select your partner, I can pair you with someone, or we can pair people
according to their schedules. Sign-ups Tues.


WEEK 11: Collaborative Writing Pairs

March 28th - Tues: **Sign-up for Paper #4 collaborative writing teams**
Possible quiz on the reading followed by a discussion.

HM: **Please note: next class, meet in the library

Before Thursday 4/6, post a message to your partner regarding Frankenstein.
Go to the discussion board to find the question to answer--you can get there by clicking below:
http://www.smcccd.cc.ca.us/cgi-bin/webbbs/rbell2.pl
Again note: Your response will be part of your participation grade.
Failure to post will result in a bad grade and a very disappointed partner.

March 30th - Thurs:
Library Tour - Meet in the library (2nd floor of building 5)

HM: In Frankenstein, read Chapters 6-11, pp. 56-94.

Bring to class Tuesday a minimum of two pieces of photocopied outside research or books you have
checked out. Each member of the collaborative writing teams must bring two sources different from his/her
partners'. Keep in mind, you will need to incorporate a minimum of 3 outside sources into Paper #4.


WEEK 12: Frankenstein

April 4th - Tues: Possible quiz on reading followed by a discussion and a look at outside sources

HM: In Frankenstein, read Chapters 12-17, pp. 95-134.

April 6th - Thurs:
Meet in Computer Lab: bottom floor of blg 2
Possible quiz on the reading followed by a discussion

HM: In Frankenstein, read Chapters 18-22, pp. 135-177.

Before Thursday 4/13, post a message to your partner regarding Frankenstein.
Go to the discussion board to find the question to answer--you can get there clicking below
http://www.smcccd.cc.ca.us/cgi-bin/webbbs/rbell2.pl
Again note: Your response will be part of your participation grade.
Failure to post will result in a bad grade and a very disappointed partner.

Continue work on Research Paper #4 with your partner-due Thurs 4/27 **


WEEK 13: Finishing Frankenstein

April 11th - Tues: Possible quiz on the reading followed by a discussion

HM: Finish Frankenstein, read Chapters 23-24, pp.178-206.

April 13th - Thurs:
Meet in Computer Lab: bottom floor of blg 2
Possible quiz on the reading followed by a discussion.

HM: Meet with your partner to do research and complete Paper #4-due 4/27


WEEK 14: Spring Break

April 17th - April 21st: SPRING BREAK -- No Classes


WEEK 15: Workshopping

April 25th - Tues: In Class: working on Paper #4

HM: Complete Paper #4 (4-6 pages), due next class:
(1) Bring 7 copies of your completed, typed, double-spaced paper to class on Thursday.
(2) Students without papers will be asked to leave and each workshop day is 2 absences.
(3) If you don't turn a paper in on this due date, you can't turn in the revised version,
due a week later, for a grade. You can't pass the course if you miss turning in a paper.
(4) You must include a minimum of three outside sources.

** Also, if you both go to a writing tutor in The Learning Center (bldg 5) for Paper #4, you can get 3
points of extra credit added to your essay score. Attach a tutor slip to the front of the final draft of the
paper due Thursday, May 4th. Students enrolled in English 853 can see a writing tutor in 2108f other
than myself to get this credit; ask for a receipt. **

** Reminder: The last day to withdraw from a course is 4/27

April 27th - Thurs: Meet in Computer Lab: bottom floor of blg 2
Paper #4 due (4-6 pages)
In Class: Workshopping

HM: In Texts and Contexts, read Chapter 7 on Feminist Criticism, pp. 177-204


WEEK 16: Feminist Criticism

May 2nd - Tues: Possible quiz on the reading followed by a discussion.

HM: In Bedford, begin M. Butterfly, read pp. 1211-1223.

Revised Paper #4 due 5/4. Please include the following:
(1) A title page using MLA format.
(2) Peer evaluations stapled to back
(3) Must be typed, double-spaced, have 1" margins, have 12 sized font, and be 4-6 pages in length.
Please note: 10 pts are removed for each page the paper is under the required minimum length and
5 pts for half a page under
(4) A "Works Cited" page stapled to the back with a minimum of 3 sources.
To cite outside research, see p. 1559-1582
(5) If you saw a tutor, staple receipt(s) to front.

May 4th - Thurs:
Meet in Computer Lab: bottom floor of blg 2
Revised Paper #4 Due (4-6 pages)
Possible quiz on the reading.
Freewrite: How did the collaborative process work? What were both the positive as well as negative aspects
of the process? Did you feel the work was equally shared? Would you do a collaborative paper again?

HM: In Bedford, continue M. Butterfly, read pp. 1223-1233.


WEEK 17: David Henry Hwang's M. Butterfly

May 9th - Tues: Possible quiz on the reading followed by a discussion.

HM: In Bedford, continue M. Butterfly, read pp. 1233-1246.

May 11th - Thurs:
Meet in Computer Lab: bottom floor of blg 2
Possible quiz on the reading followed by a discussion.

HM: In Bedford, finish M. Butterfly, read pp. 1246-1258.

Bring a self-addressed stamped envelope, to receive a breakdown of your grade.


WEEK 18: Workshopping

May 16th - Tues: Possible quiz on the reading followed by a discussion.

HM: Complete Paper #5 (4-6 pages), due next class:
(1) Bring 4 copies of your completed, typed, double-spaced paper to class on Thursday.
(2) Students without papers will be asked to leave and each workshop day is 2 absences.
(3) If you don't turn a paper in on this due date, you can't turn in the revised version,
due a week later, for a grade. You can't pass the course if you miss turning in a paper.
(4) You must include a minimum of three outside sources.

May 18th - Thurs:
Meet in Computer Lab: bottom floor of blg 2
Paper #5 due (5-7 pages)
In Class: Workshopping

HM: Revised Paper #5 due 5/25. Please include the following:
(1) A title page using MLA format.
(2) Peer evaluations stapled to back
(3) Must be typed, double-spaced, have 1" margins, have 12 sized font, and be 4-6 pages in length.
Please note: 10 pts are removed for each page the paper is under the required minimum length and
5 pts for half a page under
(4) If you used outside sources, see p. 1559-1582 to cite sources & include a "Works Cited."

If you haven't already, bring a self-addressed stamped envelope to receive grade


WEEK 19: Final Exam

May 25th - Thurs: Meet in Computer Lab: bottom floor of blg 2
Revised Paper #5 Due (4-6 pages)
Final Exam: 11:10-1:40pm: Open book, closed note on M. Butterfly


Collaborative Research Paper #4

Paper #4 is due Thurs, April 27th (4-6 pages) with three (3) outside sources:
Analyze Mary Shelley's Frankenstein using Biographical and Historical Criticism.
Web links from Eric Brenner on Frankenstein:
http://www.smcccd.cc.ca.us/smcccd/faculty/brenner/lib/bell-engl110.html

Paper #5

Paper #5 is due Thurs, May 18th (4-6 pages):
Analyze Henry David Hwang's M. Butterfly using Feminist Criticism.

Final Exam

The Final Exam is on May 25th from 11:10am to 1:40pm
You will be asked to write a 2 ½ hour essay on M. Butterfly; the topic will be given at the exam.
The exam in open book, closed note and can be taken on the computer or written by hand.


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