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Rio de Janeiro, Brazil: February 2019
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In February of 2019, I went to Rio de Janeiro for two weeks
and stayed in the neighborhood of Leblon. One of my closest friends, Kim, had
met a guy from Rio de Janeiro named Silas on a train in Peru the year
before. I was coming to Rio
with her mom, brother and her brother’s boyfriend to help them
celebrate their engagement!
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I flew with her mom and when we arrived, we got some food and
then went straight to the beach. It was February and mid-summer in
Brazil. The temperatures were in
the 80s and some days it rained but it was a warm tropical rain and
didn’t last long. It had
rained uncharacteristically heavy the night before and the day we arrived
it was a still a little grey.
In the background is the rock formation Morro Dois Irmãos (Two Brothers Hill). It is located in the neighborhood of Vidigal
and is 533 meters (1750 feet) high which is higher than the other famous peak
in Rio called Pão de
Açúcar (or Sugar Loaf in English) which is 395 meters (1295 feet)
above sea level.
You can also see the unique black and white tile geometric wave design
on the boardwalk which is famously associated with Rio and runs along the
city’s main beach, called Prainha, from the neighborhoods of Leblon to
Ipanema to Copacabana.
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Later in the week, the
guys hiked to the top of Morro Dois Irmãos (Two
Brothers Hill).
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The next day was beautiful and lots of people were enjoying the beach. Kim’s
brother Michael and his boyfriend Tyler arrived from snowy New York and
were very happy for the warm weather.
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One evening we went to a Beethoven Festival performed by the Brazilian
Symphony Orchestra of Rio de Janeiro.
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We also
visited the Tijuca National Park in Rio.
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And we went to Rio’s Botanical
Gardens.
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We went to Pão de Açúcar
(Sugar Loaf)
which sits at the mouth of Guanabara Bay. But before taking the gondola lift
to the top of the peak, we had a delicious lunch in a restaurant
overlooking Sugar Loaf and the bay.
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Then we took the gondola to the top of Sugar Loaf.
The name
Sugarloaf was coined in the 16th century by the Portuguese during the
heyday of sugar cane trade in Brazil. According to historian Vieira
Fazenda, blocks of sugar were placed in conical molds made of clay to
be transported on ships. The form of the peak reminded them of the
well-known resulting “sugarloaf” shape, and the nickname has
since been extended to be a general descriptor for formations of this kind.
To reach the summit, passengers take two
cable cars. The first ascends to the shorter Morro da Urca,
220 m (722 ft) high. The second car ascends to Pão de Açúcar. The
Swiss-made bubble-shaped cars offer passengers 360-degree views of the
surrounding city. The ascent takes three minutes from start to finish.
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Another day we rented bikes and rode around a beautiful lake.
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Some Rio street art
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As
we drove up the moutain to the famous Christ the
Redeemer statue that overlooks Rio, we stopped and took pictures of the
sweeping city views. In the
foreground is a favela.
A favela is a
unique, low and middle-income, and unregulated neighborhood in Brazil that
has experienced historical governmental neglect. The first favela, now known
as Providência in the
center of Rio de Janeiro, appeared in the late 19th century, built by
soldiers who had nowhere to live following the Canudos
War. Some of the first settlements were called bairros africanos (African
neighborhoods). Over the years, many former enslaved Africans moved in. The
most modern favelas appeared in the 1970s due to rural exodus, when many
people left rural areas of Brazil and moved to cities. Unable to find
places to live, many people found themselves in favelas. Census
data released in December 2011 by the Brazilian Institute of
Geography and Statistics (IBGE) showed
that in 2010, about 6 percent (11.25 million) of the Brazilian population
lived in slums.
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Another
look out point with sweeping city views on the way
up to Christ the Redeemer.
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Christ the Redeemer (Cristo Redentor): Constructed
between 1922 and 1931, the statue is 30 metres
(98 ft) high, excluding its 8-metre (26 ft) pedestal. The arms
stretch 28 metres (92 ft) wide.
The
statue weighs 635 metric tons (625 long, 700 short tons), and is
located at the peak of the 700-metre (2,300 ft) Corcovado mountain
in the Tijuca Forest National Park overlooking the city of Rio de
Janeiro. A symbol of Christianity across the world, the statue has also
become a cultural icon of both Rio de Janeiro and Brazil and is listed as
one of the New 7 7 Wonders of the World. It is made of reinforced
concrete and soapstone.
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We visited Fort Copacabana, a military base on a headland at the south end of the
Copacabana beach. The base is open to the public and contains the Museu Histórico do Exército (Army Historical Museum) and a coastal defense fort
that is the actual Fort Copacabana.
In 1908 the Brazilian army started to build a modern coastal defense fort
on the headland to protect both the beach of Copacabana and the entrance to
the harbour of Rio de Janeiro. The fort,
completed in 1914, consists of two armored cupolas, one holding a pair of
305 mm (12 in) Krupp cannons, and the other a pair of
190 mm (7 1⁄2 in)
Krupp cannons.
The name of the turret with the 305mm guns is "Duque de Caxias",
and the guns are named "Barroso" and "Osório".
This cupola is behind and above that of the 190 mm guns so that it can
fire over them. The 305 mm Krupp guns could fire a shell of some
445 kg (981 lb) a
distance of up to 23 km (14 mi). The name of the cupola
with the 190 mm guns is "André Vidal". These guns
could fire from 200 m (220 yd) to 18.2 km (11.3 mi).
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And we had a few meet-the-family events as well as Kim
and Sila’s engagement party.
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And we went to the Aquário Marinho
do Rio de Janeiro, Rio’s Marine Aquarium. It is considered the largest marine aquarium in South
America. The building occupied by AquaRio has a
total of 5 floors and 28 tanks with various types of fish. AquaRio
brings together about 8,000 animals from 350 different species from all
oceans.
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And on our last day, we walked around and checked out
some impressive large-scale murals.
Rio is a beautiful place full of surprises.
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