Sound
Cultures of the World (MUS 250 World Music)
Supplemental CD: Africa, Middle East, Spain, Cuba
(key words in bold)
Africa (Shona
people,
[1] Nhemamusasa (title, "cutting branches for shelter") note buzzy, complex timbre, polyrhythm. Instrument: mbira.
[2] BaMbuti
girls initiation music -- 2 short examples. note interlocking parts (hocket)
of equal importance (polyphony).
Africa – Mande
people (
[3] praise song (genre), “Ala L’a Ke” (title). note descending melodic line. Instrument: kora
Africa – Ewe people (
[4] Gadzo, a dance – listen for the bell part and how the other rhythms shift around it (polyrhythm) (selections from Excursions in World Music textbook CD). Compare to Avles Atsia Suite listening example.
Arab/Persian
[5] sung recitation of the Koran. Segment name: Sura Josef. Note the step-wise melodic organization, the non-metrical feel, and the silences.
[6] Double clarinet (mitbij) &
percussion (naqqarat - small double kettle drum) At 5:00, the rhythmic mode is changed (from a fast 5
to 8). (
[7] A taksim (genre/practice) played on
the ud exploring a maqam.
Soloist: Munir Bashir . Note silences
& the subtle drift between non-metrical & metrical sections. (
[8] Persian vocal performance (
[9] Flamenco (genre) (title: Soleá). Note that the vocal line is full of florid ornamentation and intensity. Hurtin’ lyrics: "Why do you mistreat me so? ... " Emphasis on improvisation. (CD title: Cante Gitano, Nimbus Records NI 5168).
[10] traditional
music performed by John Santos, Coro Folklorico Kindembo, CD title Hacia
El Amor; Note clave rhythm & rhythmic
complexity. More information at www.johnsantos.com.
Rumba (genre) - Cuban music with strong African roots; performed by an
ensemble of three conga drums, other percussion, and claves (the instrument)
with a lead singer and chorus; party music with dancing and commentary on
everyday life & love.
revised Aug 2007